Opéra de Lyon - 'Rodelinda'. December - January 2018 "Sabina Puértolas is a dazzling Rodelinda, fascinating by the clarity of her timbre, her breath length, the mastery of the nuances and the exemplarity of the diction". Forum Opera 15/12/2018.

Check out > Rodelinda Reviews Compilation

Théâtre du Capitole - 'La clemenza di tito'. June 2018
She is Sabina Puértolas, a young Spanish soprano, thrilling and lyrical, who gives her voice to her very touching "S’altro che lagrime”. Joël Heuillon. Olyrix,26/06/2018

Teatro de la Zarzuela - 'La tabernera del puerto'. May 2018

"She is a great soprano. She is a brave woman, with a beautiful voice, which she uses very well. She is also an amazing actress, so I am happy to have met her.

We both will try to do our best to work together more times in the future." Mario Gas, Stage Director. Diario de Navarra.

The Royal Opera - Covent Garden, 'Rigoletto'. March 2018

"She sang a delicately embroiled Caro nome to show off her assets in the role - a sweet, virginal timbre, a true understanding of Italianate phrasing, accurate fioriture". Hugh Canning, Opera.

Gran Teatre del Liceu, 'l’Incoronazione di Poppea'. Ensemble Matheus. Dec. 2017.

"Sabina Puértolas, one of the few vocalists who played only one role in this concert, was fully convincing in the part. She exhibited complete mastery of the score, singing and moving with ease". José M. Irurzun, Seen and Heard International.

Seattle Opera, 'The barber of Seville'. October 2017

"Soprano Sabina Puértolas, as an appropriately flighty Rosina, was easily able to manage the wide range of notes Rossini provides and was a vision of beauty in her shimmering costumes". Seattlepi, 28/10/2017

Gran Teatre del Liceu, Sept. 2017

Sabina Puértolas (Folleville Countess) showed a comic talent and shined in 'Partir, o ciel!''. El periódico, 14/09/2017

Municipal de Santiago (July 2017).
«Gilda por su parte estuvo a cargo de la soprano española Sabina Puértolas que, con su juvenil figura, deslumbró con sus pianissimos, su bello color y magistral transformación de niña enamorada a joven que se sacrifica». El mostrador, 17/07/2017

Teatro Real. 'Rodelinda' (March & April 2017)

«Fue una noche memorable para la protagonista, que rubrica una larga trayectoria internacional con esta sobresaliente Rodelinda, que no decayó un segundo. Si Sabina Puértolas, fue sin exagerar la triunfadora de la velada junto a los directores musical y escénico, nadie estuvo por debajo del notable».  Full review (in Spanish).

Baluarte. 'I Capuleti e i Montecchi' (January 2017)

"(...) una Sabina Puértolas columpiándose por el agudo sin miedo al precipicio". Full review (in Spanish).

Théâtre du Capitole Toulouse Il Turco in Italia (November 2016)

Son duo avec Sabina Puértolas, l’interprète de son épouse volage Fiorilla, est réjouissant car ils partagent le même goût et le même talent pour la comédie. Full review (in French).

Royal Opera House - Covent Garden. Così fan tutte (September & October 2016)

Reviews by The Guardian, The Finantial Times, Daily Mail, Online Merker, The Telegraph, and more...

De Nationale Opera - Dutch National Opera. Don Giovanni (07.05.2016)

"(...) There was a top cast on stage with vocals heavyweights like Véronique Gens (Elvira), Sabina Puértolas (Zerlina) and Adrian Sämpetrean (Leporello)". Oswin Schneeweisz. Theaterkrant. Full review.

Theater an der Wien: L' Incoronazione di Poppea (19.10.2015)

"Drusilla as a replacement for his former love for Poppea, fabulously sung by Sabina Puértolas". Harald Lacina.

Così lúcid i pessimista al Liceu (22/05/2015)

"Sensual Despina generous vocally, fully Mozartian style and with an enviable lightness on stage, including very charismatic dance moves". Nuvol.

El Caserío comes back to Madrid (28/04/2015)

"The singer finds its highest expression in the romance of the third act, which gives a delicate edge, placing the sharp end in a sustained low voice". Opera World.

A basque zarzuela: ‘El Caserío’ (22/04/2015)

"It was a musically strong performance, as it had the right singers, with good qualities like Sabina Puértolas". El Mundo.

La llama, músic for a Centenary (16/06/2015)

"It is necessary to highlight the work of the leading voices, Sabina Puértolas (Tamar), with great sweetness and exquisite expressiveness". Klassik Bidea.

A bewitching Alcina in Amsterdam (20/02/2015)

"Her timbre is fleshier than most of the light sopranos one often hears as Morgana. One would have to have a heart of stone not to be disarmed by her Credete al mio dolore".

Sabina Puértolas captivates at her debut in Brussels (10/02/2015)

"The soprano from Tafalla is getting ready to perform Morgana from the opera 'Alcina' in Amsterdam". Diario de Navarra.

Astonishing modernity wounded by time (18/03/2015)

"She alone seemed to build around herself an operatic scene, drifting with the undoubted musical beauty of her character". Mundo Clásico.

Bach Magnificat (12/12/2014)

"(...) Sabina Puértolas stood out, with exquisite work". Opera actual.

A banner Carmen (11/10/2014)

"The partiquino also provided carats to the performance, especially the celebrated Micaela, the soprano from Navarra Sabina Puértolas". Opera World.

Carmen, da Opéra Comique a Zarzuela (07/11/2014)

"(...) sounded divine and knew how to express the intricacies of a co-protagonist that makes the other side of the coin of Carmen". Opera Click.